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  1. Wolf Man (2025 film) - Wikipedia

    Wolf Man is a 2025 American horror film directed by Leigh Whannell from a screenplay he co-wrote with Corbett Tuck. A reboot of The Wolf Man franchise, the film stars Christopher Abbott, Julia Garner, and Sam Jaeger. The plot follows a family man seeking to protect his wife and daughter from a werewolf, only to become infected and slowly transform into the creature. Jason Blum produces alongside his Blumhouse Productions banner.

    Wolf Man is a 2025 American horror film directed by Leigh Whannell from a screenplay he co-wrote with Corbett Tuck. A reboot of The Wolf Man franchise, the film stars Christopher Abbott, Julia Garner, and Sam Jaeger. The plot follows a family man seeking to protect his wife and daughter from a werewolf, only to become infected and slowly transform into the creature. Jason Blum produces alongside his Blumhouse Productions banner.

    The film was announced in mid-2014 and was to be part of the Dark Universe, a shared cinematic universe centered on the Universal Monsters. Aaron Guzikowski and David Callaham were attached to write the script. After the failure of The Mummy (2017), Universal shifted its focus to standalone films. The success of Whannell's The Invisible Man (2020) rekindled Universal's interest in the Monsters franchise. They accepted a pitch by Ryan Gosling, who was also set to star, for a new Wolf Man film with Derek Cianfrance to direct. However, Cianfrance left the project in late 2023 and Gosling dropped out of the role, remaining as executive producer while Whannell took over a…

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    In 1995, a hiker's vanishing in the remote mountains of Oregon sparks speculation about a virus linked to the region's wildlife. During a hunting trip in the area, a young Blake Lovell and his stern father Grady spot a mysterious humanoid creature lurking in the forest and hide in an elevated hunting blind.

    Thirty years later, Blake lives in San Francisco with his daughter Ginger and workaholic wife Charlotte. Like his now-estranged father, he struggles to control his temper, causing a strain on his marriage. One day, he receives a death certificate for Grady, who went missing, and the keys to his childhood home. He decides to vacation there, in an attempt to repair his relationship with Charlotte.

    Seeking directions, they encounter a local, Derek, who leads them to the house as the sun sets. Before they arrive, a creature drives them off the road, scratches Blake's arm, and drags Derek away. Blake frantically leads his family to the house, turning on the generator and barricading the entrance to protect them from the monster outside. With his arm bloody and infected, Blake starts to show signs of illness: losing teeth, sweating profusely, and experiencing noise sensitivity. Hearing the creature, he puts his ear to a side door only for the monster to grab his foot through the pet door and injure him further before Charlotte stops it by hitting it with a hammer.

    Charlotte grows increasingly worried as Blake loses some motor functions and his ability to speak and understand her. His hair starts to fall out, as do more teeth and fingernails, with fangs and claws growing out, and his vision becomes distorted. Fur grows on his body, and to fight the pain in his arm, Blake gnaws on it like an animal, frightening her. She spots a run-down truck outside and manages to jump-start it. Before the family can drive away, the creature smashes the windshield, forcing them to seek shelter atop a greenhouse. Blake signals Charlotte to take Ginger back to the house and runs in the opposite direction to make the monster follow him.

    Moments later, a limping and more deformed Blake returns. He vomits a severed finger and menacingly approaches Charlotte, scaring her and Ginger. Realizing the danger he puts them in, he prepares to leave, but the creature finds its way in and attacks them. Blake puts himself between the monster and his family, and in the struggle, he bites the creature's neck and kills it. Recognizing a tattoo on its arm, Blake realizes the monster is his infected father. He runs outside, the final stages of his werewolf transformation taking hold. Unable to control himself, he attacks his family, who flee to a nearby barn.

    Blake claws his way in, using his newfound night vision to sneak towards them in the dark, but is caught by a beartrap that Charlotte laid down. He chews off his ensnared foot and continues pursuing as Charlotte and Ginger flee to the surrounding forest and hide in a hunting blind as the sun rises. Blake climbs up, and Charlotte points a rifle at him. Realizing Blake is in pain and wants to die, the family shares a final look as Blake lunges and Charlotte fatally shoots him. They comfort a dying Blake before walking out of the forest, taking in the beauty of a valley he once described seeing as a child.

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    Christopher Abbott as Blake Lovell
    Julia Garner as Charlotte Lovell, Blake's wife
    Matilda Firth as Ginger Lovell, Blake and Charlotte's daughter
    Sam Jaeger as Grady Lovell, Blake's estranged father, Ginger's grandfather and Charlotte's father-in-law
    • Benedict Hardie as Derek Kiel
    Leigh Whannell as Dan Kiel (voice)
    Milo Cawthorne as Man
    • Rob MacBride as SFPD

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    In July 2014, Universal Pictures announced its plan for a shared cinematic franchise, later dubbed Dark Universe, centered on their Universal Monsters library — which was to include The Wolf Man. In November 2014, Aaron Guzikowski was confirmed to be writing the reboot of Universal's The Wolf Man. In June 2016, Deadline Hollywood reported on rumors that Dwayne Johnson was considered for the titular role. In October, David Callaham was hired to rewrite the script. In 2017, The Mummy was released as the first film in the Dark Universe; its launch was both a critical and commercial failure and resulted in Universal deciding to shift its focus on individual storytelling and move away from the shared universe concept with the cancelation of The Wolf Man and other films in development.

    Reporter Justin Kroll said the critical and commercial success of Leigh Whannell's The Invisible Man for Universal "scrap[ped] the universe concept" and loosened restrictions for the talent in front and behind the camera, allowing them to decide how they wanted to execute their films in terms of budget and MPAA rating and invite "big name talent" to pitch their ideas. By early 2020, Universal had been hearing project ideas for a year and a half from filmmakers seeking to develop characters in the franchise. These meetings included Ryan Gosling's pitch to remake The Wolf Man and star in it, with Lauren Schuker Blum and Rebecca Angelo writing a screenplay described as tonally similar to Nightcrawler (2014). Around this time, make-up artist Mike Marino molded an early version of the werewolf.

    Several filmmakers were considered to direct, including Cory Finley, whose film Thoroughbreds (2017) was reportedly well liked by Universal, and Whannell, who was advised by Jason Blum of Blumhouse Productions (producer of several of his projects, including The Invisible Man) to reconsider after initially declining. (In February 2020, Whanell had mentioned his interest in making a werewolf film during a press interview for The Invisible Man. ) In July 2020, Whannell entered negotiations to write a film treatment and direct. He and his wife Corbett Tuck co-wrote the first draft of their version by pulling from the feeling of confinement and isolation caused by the COVID-19 pandemic to touch on the inevitability of illness and death, setting the story primarily in one location to make the drama "intimate", and drawing from themes of parenting and marriage. The disease that the main character contracts in the film is meant to resemble neurodegenerative diseases like ALS, which killed a close friend of Whannell's; a deleted scene involved Blake's ALS-stricken mother.
    After Whannell left the project due to scheduling conflicts, Derek Cianfrance entered negotiations to write and direct in October 2021, having directed Gosling in Blue Valentine (2010) and The Place Beyond the Pines (2012). The film was officially green lit around …

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    In August 2024, during Universal's Halloween Horror Nights in Orlando, a booth revealed the film's logo and teaser image, and on September 4, an actor took the stage for a photo-op performing as the film's werewolf. The werewolf design—a creature with a "balding head", "long white hair on the back of his head and as facial hair", "long, bony fingers", and "sharp teeth"—drew divisive reactions from online users and journalists. On September 6, Universal released a teaser trailer, poster, and synopsis. Hannah Shaw-Williams of /Film suggested that the timing of the teaser's release was "damage control" over the poorly-received werewolf design, noting the absence of the titular creature in the teaser. Whannell described the design reveal as a "debacle", as Universal did it without discussing it with him or the film's make-up artist Arjen Tuiten; he unsuccessfully tried stopping it by calling Jason Blum and later retorted that it was "like judging the Freddy Krueger makeup by a costume at Spirit Halloween." Social media analytics firm RelishMix reported that online marketing led to 136.5 million interactions, 50% behind the average for a wide horror release. Summarizing word of mouth from audiences, it wrote, "Mixed negative-leaning chatter on Wolf Man finds some viewers taking umbrage with the look of the film, from the cinematography to the design of the titular creature."

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