In 2011, he created a private member’s club in Paris that he named Silencio, for the eerily empty movie house in “Mulholland Drive” in which Rebekah Del Rio sings, a cappella, her Spanish ...

Eva Mendes has shared a tribute following the death of David Lynch Mendes shared a scene from the film "Mulholland Drive ... played by Rebekah del Rio, who sings an acapella version of the ...

Mulholland Drive star Naomi Watts thanked ... Martin Scorsese as well as Lynch-ian stars including Lee Grant and Rebekah del Rio. In a statement to Variety, Spielberg remembered Lynch as a ...

Rebekah del Rio, a singer who notably appeared in the Club Silencio sequence of Lynch’s film “Mulholland Drive,” where she was passionately singing an a cappella Spanish-language version of ...

The director leaves a legacy of albums and musical projects as wonderfully weird as his films. Artists who joined him at different points of his journey speak about how it was to make songs with him.

The Magician, Mulholland Drive Like Twin Peaks’ otherworldly ... language cover of Roy Orbison’s “Crying” by Rebekah del Rio, the women are shaken out of this dream state they’ve been ...

David Lynch was a visionary director of the strange and the surreal – but what we hear in his films is as important as what we see.

Often, music brought Lynch's films to a screeching halt, as it did for the gangsters of "Blue Velvet" during a lip-sync of Roy Orbison's "In Dreams," or in "Mulholland Drive," when Rita and Betty ...

Is it because we are all performers all of the time? Like Rebekah Del Rio in Mulholland Drive who warns Diane (Naomi Watts) and Rita (Laura Harring), the White Lodge/Black Lodge of Twin Peaks ...

The night after my favorite director died, I was upstairs watching YouTube clips of “Twin Peaks: The Return,” David Lynch’s 2017 resuscitation of his landmark TV series, when I was unsettled ...

After listening to a heart-wrenching Spanish language cover of Roy Orbison’s “Crying” by Rebekah del Rio ... scene alone almost qualifies Mulholland Drive as a horror film.

from Samuel Barber’s deeply emotional “Adagio for Strings” in 1980’s “The Elephant Man” to the raging thrash-metal riffs of Powermad in 1990’s “Wild at Heart” and Rebekah Del Rio ...