If you have yet to catch Terrifier 3 in theaters, be forewarned that we will be diving into massive spoiler territory. For Terrifier fans, viewers know that the first movie ended with Art taking his ...

Joshua Robbins' review of 'The Substance,' in theaters now, looks at body horror through the lens of feminism.

Since time immemorial, horror has found its way into various ... with an intriguing intellect and a muscular human body. Through 120 exhibits — paintings, illustrations and installations from various ...

Well, you horror stan, Hulu is a great place to start looking. Right now, the streaming service has a solid lineup of new and ...

The SFX 2024 Halloween Horror Special is here! We go on set with Art the Clown for #Terrifier3! 望Our new issue, on sale 2 October, comes with exclusive Terrifier items, while stocks last.Pre ...

Matt Patches is an executive editor at Polygon. He has over 15 years of experience reporting on movies and TV, and reviewing pop culture. Every second of Funko Fusion is a fight for one’s life ...

This instant cult classic will be worth watching in inevitable Art House screenings to hear ... premise to deliver a deeply unsettling body horror which critiques America’s obsession with ...

Grand Guignol, American-style, Mad Love is a delightfully batshit bit of body horror starring the great Peter Lorre, clearly having fun here. He's brilliant surgeon Dr. Gogol, who becomes obsessed ...

They're a tapestry of darkness, introspection and horror woven by local and distant ... Present & Future of Public Art in Detroit" in partnership with Preservation Detroit. See the exhibit ...

The 1973 musical “The Rocky Horror Show,” immortalized in the 1975 film “The Rocky Horror Picture Show,” is getting a side-scrolling video game adaptation. “The Rocky Horror Show Video ...

Please verify your email address. Psychological horror is a subgenre of horror that predominantly focuses on unsettling and disturbing depictions of a person's mental state. Like the horror genre ...

New film The Substance takes a leaf out of Creed’s book by proposing a feminist critique of female experience through the visceral language of the body horror, a sub-genre preoccupied with the ...