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How Jerry Jemmott stayed on top of Aretha Franklin’s Respect, recorded live at Fillmore West in 1971“In addition to us playing all the songs faster, Respect was counted off fast,” said Jerry Jemmott, who sat in the bass chair plucking his sunburst '65 Jazz Bass in front of his Acoustic 360 rig.
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B.B. King had his breakthrough blues guitar moment with The Thrill Is Gone – but it was Jerry Jemmott’s bass that made it grooveSzymczyk's first call was to veteran session drummer/contractor Herb Lovelle, who reached out to guitarist Hugh McCracken, keyboardist Paul Harris, and a young bassist named Jerry Jemmott.
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