Leigh Whannell did a brilliant job of modernizing "The Invisible Man," but werewolves prove much harder to tame.

A t the risk of sounding unintentionally patronizing, Leigh Whannell’s Wolf Man gets an “A” for effort. You can see the same mind at work that took the story of The Invisibl

Leigh Whannell tempers the scares in Wolf Man, but ups the family melodrama, offering a tragedy in the classic Universal Monster tradition.

The secret to making a great wolf man movie -- and you gotta pinky swear not to tell anybody about this, because it's a secret -- is that the "wolf man" part is optional. Werewolf stories aren't about transforming into half-human/half-canine hybrids as much as they're about people wrestling with their darkest impulses.

Ahead of the movie's release this week, Abbott has revealed that his "biggest" inspiration for the role was classic '80s sci-fi horror The Fly, given how the transformation in Wolf Man compares to that movie.

Another classic cinematic monster has been dusted off in “Wolf Man,” an R-rated Blumhouse movie which hits theaters on Friday.

Leigh Whannell follows ‘The Invisible Man’ with another update on a classic from the Universal archives, unfolding in an isolated farmhouse in the Pacific Northwest.

Fans of “SCTV” may remember a “Monster Chiller Horror Theatre” episode in which Joe Flaherty’s late-night host, Count Floyd, mistakenly programs a made-up Ingmar Bergman film, “Whispers of the Wolf,” thinking it’s a simple werewolf picture instead of a moody,